Mavis Freer and Christopher Row were two artists deeply entwined within the vibrant art scene flourishing in the idyllic Cranborne Chase. This artistic community, known for its picturesque landscapes and inspiring atmosphere, also boasted the presence of luminaries such as Elisabeth Frink, Augustus John, Henry Lamb, and Stanley Spencer. Having met at Goldsmiths College of Art, where they honed their skills under the guidance of esteemed tutors like Cecil Waller, Leonard Appleby, Bernard Hailstone, and Carel Weight, Mavis and Christopher married in 1949. Their early years were marked by a transient lifestyle, teaching art in East London while nurturing their growing family of four children.
The 1980s was a turning point as they permanently settled in Dorset, a move that ignited a renewed passion for their craft. Mavis, in particular, experienced a stylistic evolution, shifting away from her earlier, more inventive pieces to draw inspiration from the landscapes of Cranborne Chase and the dramatic seascapes of the Jurassic Coast. Both artists were remarkably prolific, amassing a considerable body of work encompassing powerful drawings, luminous watercolours, and evocative oil paintings. Christopher, alongside his painting, also delved into sculpture and pursued further training in ceramics at Goldsmiths College of Art.
The recognition afforded to Mavis and Christopher through their inclusion in the Royal Academy’s exhibitions served as a major affirmation of their artistic talent and dedication. Participation in such a respected event, known for its stringent selection process and rich history, solidified their standing in the broader art world.
Driven by passion rather than financial gain, their artistic endeavours were born from a genuine love for their craft. Instead of chasing monetary rewards, they chose to exhibit their works in galleries throughout the South West, allowing others to discover and celebrate their talent and unique artistic visions.
Top: A young Mavis Freer sketching on the beach
Middle: Mavis Freer’s studio
Bottom: Christopher Row sketching